I am pretty much always involved in making something. My sources of inspiration are quite broad, although antiquity is a favorite. I've collected a massive amount of ephemera over my 30+ years of making art. What may look like random objects to some are critical data to me. As a sculptor mine is a visual language and as such, objects, regardless of their current incarnation are at their most basic the building blocks of form in general, which I either transmute into entirely new forms or re-establish as versions of their prior state. What I see in the objects I collect often changes over the interval of time between acquiring them and working with them.
I am pretty much always involved in making something. My sources of inspiration are quite broad, although antiquity is a favorite. I've collected a massive amount of ephemera over my 30+ years of making art. What may look like random objects to some are critical data to me. As a sculptor mine is a visual language and as such, objects, regardless of their current incarnation are at their most basic the building blocks of form in general, which I either transmute into entirely new forms or re-establish as versions of their prior state. What I see in the objects I collect often changes over the interval of time between acquiring them and working with them.
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